[{"data":1,"prerenderedAt":91},["ShallowReactive",2],{"$f3gx4bydukzrkl":3},{"type":4,"name":5,"blurb":6,"color":7,"category":8,"about":9,"description":10,"aboutHtml":11,"howHtml":12,"inputs":13,"outputs":20,"controls":30,"tryHtml":46,"lessons":47,"guides":53,"terms":57,"siblings":58},"modfx","Mod FX","Chorus, phaser or flanger — the classic swirly effects, in stereo.","#ff7ae0","Effects","The classic swirling modulation effects: chorus, phaser and flanger.","The classic swirling modulation effects: chorus, phaser and flanger. Every input, output and knob explained, with patches to try.","The classic swirling \u003Ca class=\"term\" href=\"\u002Flearn\u002Fglossary#modulation\" title=\"Using one signal to change another over time.\">modulation\u003C\u002Fa> effects: chorus, phaser and flanger.","All three mix the sound with a moving copy of itself. CHORUS uses longer, gently wobbling delays (one per side) for a lush, doubled sound. PHASER passes it through sweeping all-pass \u003Ca class=\"term\" href=\"\u002Flearn\u002Fglossary#filter\" title=\"Removes part of the frequency range, making a sound darker, thinner or more focused.\">filters\u003C\u002Fa>, carving moving notches. FLANGER uses a very short delay with feedback for the jet-plane whoosh. L and R outputs are stereo.",[14,17],{"label":15,"html":16},"IN","Audio.",{"label":18,"html":19},"RATE","Adds to Rate (+1.0 = +2 Hz).",[21,24,27],{"label":22,"html":23},"OUT","Mono mix.",{"label":25,"html":26},"L","Left.",{"label":28,"html":29},"R","Right.",[31,34,37,40,43],{"label":32,"html":33},"CHORUS \u002F PHASER \u002F FLANGER","Which effect.",{"label":35,"html":36},"Rate","Sweep speed.",{"label":38,"html":39},"Depth","Sweep amount.",{"label":41,"html":42},"Fdbk","Flanger feedback.",{"label":44,"html":45},"Mix","Effect amount.",[],[48],{"slug":49,"name":50,"title":51,"n":52},"16-chorus-phaser-flanger","16 · Chorus, Phaser, Flanger","Chorus, Phaser, Flanger",16,[54],{"slug":55,"title":56},"effects-and-mixing","Effects & mixing: space, width and punch",[],[59,63,67,71,75,79,83,87],{"type":60,"name":61,"blurb":62,"color":7},"crush","Bitcrusher","Fewer bits, fewer samples, more crunch.",{"type":64,"name":65,"blurb":66,"color":7},"delay","Delay","Echoes with a darkening feedback loop. Modulate TIME for chorus & warble.",{"type":68,"name":69,"blurb":70,"color":7},"reverb","Reverb","A big generated hall. Size it from closet to cathedral.",{"type":72,"name":73,"blurb":74,"color":7},"pan","Stereo Pan","Places a mono signal left-to-right, with a built-in auto-panner.",{"type":76,"name":77,"blurb":78,"color":7},"duck","Ducker","Sidechain: whenever SIDE is loud, IN gets quieter. The kick-pumps-the-pad trick.",{"type":80,"name":81,"blurb":82,"color":7},"glitch","Glitch","Stutters, rolls, reverses, octave jumps and tape stops — on the beat, at random.",{"type":84,"name":85,"blurb":86,"color":7},"vocoder","Vocoder","Makes the CARRIER (a synth) speak with the shape of the MOD (your voice).",{"type":88,"name":89,"blurb":90,"color":7},"pshift","Pitch Shifter","Moves any sound up or down in pitch without changing its speed. Chipmunks and demons.",1792599838714]