[{"data":1,"prerenderedAt":94},["ShallowReactive",2],{"$f14vdtsl6gj2br":3},{"type":4,"name":5,"blurb":6,"color":7,"category":8,"about":9,"description":10,"aboutHtml":9,"howHtml":11,"inputs":12,"outputs":19,"controls":20,"tryHtml":30,"lessons":31,"guides":52,"terms":56,"siblings":57},"scope","Scope","Two-channel oscilloscope. Flip to X\u002FY for Lissajous figures.","#e6edf3","Utility","Oscilloscope — shows what signals look like.","Oscilloscope — shows what signals look like. Every input, output and knob explained, with patches to try.","TIME mode draws signals A (blue) and B (pink) over time, triggered on A so periodic waves hold still. X\u002FY mode plots A horizontally against B vertically, with long phosphor trails: two related \u003Ca class=\"term\" href=\"\u002Flearn\u002Fglossary#oscillator\" title=\"A sound source that repeats a wave shape over and over, making a pitched tone.\">oscillators\u003C\u002Fa> draw Lissajous figures; the Lorenz X and Z outputs draw the butterfly. The scope makes no sound.",[13,16],{"label":14,"html":15},"A","Channel A (and X in X\u002FY mode).",{"label":17,"html":18},"B","Channel B (and Y in X\u002FY mode).",[],[21,24,27],{"label":22,"html":23},"TIME \u002F X\u002FY","Time or X\u002FY display.",{"label":25,"html":26},"Time","How much time fits on screen.",{"label":28,"html":29},"Gain","Vertical size.",[],[32,37,42,47],{"slug":33,"name":34,"title":35,"n":36},"06-scope-seeing-sound","06 · Scope: Seeing Sound","Scope: Seeing Sound",6,{"slug":38,"name":39,"title":40,"n":41},"12-fm-audio-rate-modulation","12 · FM: Audio-Rate Modulation","FM: Audio-Rate Modulation",12,{"slug":43,"name":44,"title":45,"n":46},"13-drive-and-wavefolding","13 · Drive & Wavefolding","Drive & Wavefolding",13,{"slug":48,"name":49,"title":50,"n":51},"38-lorenz-chaos","38 · Lorenz: Chaos","Lorenz: Chaos",38,[53],{"slug":54,"title":55},"oscillators","Oscillators: where every sound starts",[],[58,62,66,70,74,78,82,86,90],{"type":59,"name":60,"blurb":61,"color":7},"mixer","Mixer","Four channels into one. Mixes CV just as happily as audio.",{"type":63,"name":64,"blurb":65,"color":7},"attn","Scale \u002F Offset","Out = IN × scale + offset. The glue for patching anything into anything.",{"type":67,"name":68,"blurb":69,"color":7},"out","Output","To your speakers. A soft limiter keeps your ears safe.",{"type":71,"name":72,"blurb":73,"color":7},"spectrum","Spectrum","See which frequencies are in a sound, or use it as a tuner.",{"type":75,"name":76,"blurb":77,"color":7},"rec","Recorder","Records whatever you patch in and saves it as a WAV file.",{"type":79,"name":80,"blurb":81,"color":7},"switch","Switch","Picks one of four inputs. Each clock tick steps to the next; SEL or the knob chooses directly.",{"type":83,"name":84,"blurb":85,"color":7},"comp","Compressor","Turns loud moments down so everything sits together — and adds punch to drums.",{"type":87,"name":88,"blurb":89,"color":7},"eq","EQ","Three-band tone control: turn the lows, mids and highs up or down.",{"type":91,"name":92,"blurb":93,"color":7},"smix","Stereo Mixer","Four channels with level, pan and an effects send each. Patch L and R to the Output.",1792599838558]