Sources

VCO

Voltage-controlled oscillator — the basic sound source. It produces a continuous, pitched tone.

Learn about it in Oscillators: where every sound starts

How it works

Pick a waveform: SIN is pure and soft, TRI is a little brighter, SAW is buzzy and rich (great into a filter), SQR is hollow and woody. Pitch is set by Tune + Oct + Fine, then pushed around by whatever is patched into V/OCT and FM. The oscillator never stops — use a VCA + envelope to make notes start and end.

Inputs

V/OCTPitch control, 1.0 = one octave up (−1.0 = one down). Patch a Keyboard, Sequencer or Quantizer here to play notes. A small LFO here gives vibrato.
FMFrequency modulation, linear. The signal is multiplied by FM Amt and added to the frequency in Hz. Patch another VCO here (at audio rate) for metallic, bell-like FM tones.

Outputs

OUTThe main waveform, roughly −1 to +1.
SUBA square wave one octave below, for extra weight under the main tone.

Knobs and switches

TuneBase frequency. Defaults to C4 (261.6 Hz) so keyboards play in tune.
OctShifts by whole octaves.
FineDetune in cents (1/100 of a semitone). Slightly detune two VCOs for a fat chorus.
FM AmtHow strongly the FM input bends the frequency, in Hz per unit of input.

Patches to try

  • Two VCOs, one detuned +7¢, both into a Mixer → instant fat lead.
  • VCO B → VCO A’s FM input with FM Amt around 200 Hz for bells.

Lessons that use the VCO

Each one opens as a working patch in the synth.

Words to know

  • Oscillator — A sound source that repeats a wave shape over and over, making a pitched tone.
  • Waveform — The shape of one cycle of a wave, which decides how bright or hollow a tone sounds.
  • V/OCT — The pitch standard: each +1 on the input raises the pitch by one octave.
  • FM — Changing an oscillator’s frequency with another signal, often at audio rate, for bells and metallic tones.

More sources

NoiseDrum TrioPlucked StringResonatorWavetable